“Kher brings a fresh display of a widely heterogenous practice to New York after a gap of 8 years. New York is no longer the same city when Bharti Kher showed here last. But as someone who believes that “change is the very nature of our bodies,” Kher is here to remind us that she is not the same artist either. In this latest encounter between artist and the city, the animal is still displaced but now morphed into an intentional absurdity. The bindi remains, in its rigorous ubiquity, but its surface no longer ensconced, comes to us instead as something broken, and fittingly then, as viewers will see in fluxes of time such as these – as something powerful. It comes as an unexpected freedom of chaos”

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